GV9 Press Release

“A casual stroll through the lunatic asylum shows that faith does not prove anything.” - Friedrich Nietzsche

"Scratching is a DJ or turntablist technique used to produce distinctive sounds by moving a vinyl record back

and forth on a turntable while manipulating the crossfader on a DJ mixer. Within hip hop culture, scratching is

one of the measures of a DJ's skills." --Wikipedia.org

Graffiti Verite' 5 (GV5): The Sacred Elements of Hip-Hop Documentary Video Cover

Los Angeles, CA -- I don't know about you, bbbut from where I sit the machinations of

what a DJ actually does behind the "wheels" are downright fascinating. Consider the

superior manual dexterity that is required to manipulate faders, switchers, equalizers,

turntables (usually 2) all seemingly near simultaneous in their execution, in order to create a

beat! Imagine?

Watching those fingers move, teak, manipulate, skratch, push, slide and reverse actions are a sight-to-

behold. The counter-intelligence at play here is awe-inspiring and unique. The ability to create a sound and move hundreds sometimes thousands of people to move rhymatically is Genius, yes Genius!

Definition: A genius (plural genii or geniuses,[1] adjective ingenious) is a person, a body of work, or a singular achievement of surpassing excellence. More than just originality, creativity, or intelligence, genius is associated with achievement of insight which has transformational power. A work of genius fundamentally alters the expectations of its audience. Genius may be generalized, or be particular to a discrete field such as sports, statesmanship, science, or art.

These magicians convert raw sound or what some call noize into music. To watch a great DJ spin his magic is analogous to watching a master drummer or cellist or pianist do their thing. Only with turntablists you gotta turn up the speed dial to warp speed. How do they do that ?... and how do they process information that quickly?

Brain to hand, instinct to hand, hand to brain, hands to equipment and what comes together is a "new Sound" reconfigured and wrapped around the accidental sculptured nature of the moment. Irregardless of the method to their madness, look out upon the floor. The results are in the vast pool of head nods and contorted bodies that are compelled to create new dance illness because of the rhythms of the music. This is sick!!

But understand not all are called to this game with dynamic innate gifts, but the ones that are talented... whew , it's magic man! Like great poetry it's a gift and for those who got it and you're in the audience... be prepared to be transcended and lifted outta there.The "wheels" or turntables themselves is just like any other instrument. Some people are really good at playing and others often are just pedantic. (Please keep in mind that for years now the turntables have outsold guitars.)

Enuff said!!!! Enjoy listening to these DJ's describe what and how they approach their craft. Listen up as they breakdown the basic elements to their craft. GV9 Soulful Ways: The DJ is a trip....

(Brief Description)

1. How to DJ... (basic techniques to scratching)

a. The Basics i. The Scribble Scratch

b. The Baby Scratch j. The Squeeze

c. The Chirp k. Putting combinations together

d. The Orbit Scratch l. Radar, Chirp & Flair Scratch Combo

e. The Transformer m. Crab & Transformer Combo

f. The Crab Scratch n. Flair Scratch

g. The Crab Orbit o. Hampster Scratch

h. Basics of Beat Juggling p. Scribble, Orbit & Hampster Scratch Combo

2. What is a DJ? 9. The Boom Bap

3. How the MC works with beats 10. Writing for the Beat

4. The DJ mindset 11. The DJ Bizness Recomendations

5. The Creative Process 12. Turntable Timmy (The Book)

6. The Art of Remixxing 13. Painting the DJ ("The DJ" by Justin BUA)

7. Mastering the Mixx 14. Working with the MC

8. DJ Styles

GV 9

OTHER LINKS

Documentary Media Interactions

B.W.P.

BRYAN WORLD PRODUCTIONS, LLC.

P.O. Box 74033

Los Angeles, CA 90004

Hotline Number

(323) 993-6163

Tel Number:

(323) 856-9256

Fax Number:

(323) 856-0855

Email: bryworld@aol.com

The Official Graffiti Verite' Website translated into Español, Alemán, Français, Italiano, Portuguese, Japanese, Korean

REQUEST

“Watch Instantly”

CLICK ON THE DVD ICON ABOVE TO VIEW TRAILERS & PRODUCT INFO

GV1 GV2 GV3 GV4 GV5 GV6 GV7 GV8 GV9 GV10 GV11 GV12 GV13 Purchase Order Form

WATCH IT NOW ON

What is "Public Performance"?

To perform or display a work "publicly" means--to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances are gathered; to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate places and at the same time or at different times. (Title 17, U.S.C., Copyrights, Section 101, Definitions)

What is Public Performance Rights (PPR)?

The Exhibition or Screening of this Video in a Public Setting requires the venue, establishment, or in some cases the individual to secure an additional license, The Public Performance License. The basic concept here is that if you, your class or Institution are going to benefit from the Performance of a Producer's Work, the Producer should also benefit. These additional PPR fees collected by the Libraries or Educational Institutions are paid to the Producer as compensation for the performance of their works within a Public Arena i.e.: Classroom, Rental Facility, Library, Auditorium or part of a Public Presentation for paying customers or for free.