What is "Public Performance"? To perform or display a work "publicly" means--to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances are gathered; to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate places and at the same time or at different times. (Title 17, U.S.C., Copyrights, Section 101, Definitions)
What is Public Performance Rights (PPR)? The Exhibition or Screening of this Video in a Public Setting requires the venue, establishment, or in some cases the individual to secure an additional license, The Public Performance License. The basic concept here is that if you, your class or Institution are going to benefit from the Performance of a Producer's Work, the Producer should also benefit. These additional PPR fees collected by the Libraries or Educational Institutions are paid to the Producer as compensation for the performance of their works within a Public Arena i.e.: Classroom, Rental Facility, Library, Auditorium or part of a Public Presentation for paying customers or for free. |
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“MC is short for Master of Ceremonies or mic controller (being the one with the mic, rapping.). Essentially a word for a rapper but the term is not limited to hip-hop. MC’s rap or spit, while a DJ mixes the tunes A rapper who is either the host of an event; someone with enough flow and skill to be considered a master of the art of rap, usually referred to in underground rap.”
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Los Angeles, CA -- GV11 Voices from Da Hip-Hop Undaground (Part 1) documentary (from multi award-winning filmmaker Bob Bryan) is an in-depth exploration of the process, thoughts, raison 'etre, creative expressions and paths taken by some of the most prolific, innovative and outrageous Urban Artists and thinkers of our time.
Not limited by the contraints of "commercialized" standards, these "creators" have travelled diverse paths to development & articulation of their dynamic & impactful art form. |
· From the genius of twin black female indie animation filmmakers
· The uncompromising Pathos of the Undocumented Emcee
· Hip-Hop Authors & Intellectuals
· Korean feminine Hip-Hop MC lamenting on topics of Love, sexism & pressure to conform to the contemporary Asian Lil’ Kim image type
· Amazing Hip-Hop Filmmaker who's film "Hip-Hop Resurrection: From NY to New Zealand " takes us back to the origins of Hip-Hop & the offspring of American Hip-Hop
· Distorted Urban Realism" master painter who's creations (paintings & animation) have captured the madcap soul & humor of Hip-Hop
· The guts of an indigenous undaground Feminist Emcee who teaches & beseeches us concerning the rampant trampling of "Sacred Ground" in our cities, the epidemic drug war and programmed poverty, as well as, the systematic exploitation of the 3rd World
· To the committed multi award-winning "Three (3x) Time Teacher of the Year" Educator who literally wrote the book on how to use Hip-Hop Poetry as an educational tool & bridge to teaching the curriculum friendly formal English Poetry Classics.
· A myriad array of talented MC performances & so much more….
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BEST SHORTS COMPETITION Winner of the “Award of Excellence” |
This is just the beginning of the GV11 journey... DON'T BELIEVE DA NOIZE documentary attempts to represent the true heartbeat & complex reality of contemporary American Hip-Hop thought focusing on innovation, movement, brilliance and the raw & unfiltered personalized "truth." Don't you dare be seduced to think that "Real Hip-Hop" can be found on commercial TV or on the Radio...Don't Believe da Noize! Take the time to explore what's right in front of you.
RUNNING TIME: 55 Minutes |
GV11 DON’T BELIEVE DA NOIZE: Voices from Da Hip-Hop Undaground (Part 1)
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