What is "Public Performance"? To perform or display a work "publicly" means--to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances are gathered; to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to the public, by means of any device or process, whether the members of the public capable of receiving the performance or display receive it in the same place or in separate places and at the same time or at different times. (Title 17, U.S.C., Copyrights, Section 101, Definitions)
What is Public Performance Rights (PPR)? The Exhibition or Screening of this Video in a Public Setting requires the venue, establishment, or in some cases the individual to secure an additional license, The Public Performance License. The basic concept here is that if you, your class or Institution are going to benefit from the Performance of a Producer's Work, the Producer should also benefit. These additional PPR fees collected by the Libraries or Educational Institutions are paid to the Producer as compensation for the performance of their works within a Public Arena i.e.: Classroom, Rental Facility, Library, Auditorium or part of a Public Presentation for paying customers or for free. |
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“Don't play what's there, play what's not there. Do not fear mistakes. There are none. Sometimes you have to play a long time to be able to play like yourself.” - Miles Davis |
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“Beatboxing is a form of vocal percussion which primarily involves the Art of producing drum beats, rhythm, and musical sounds using one's mouth, lips, tongue and voice.
It may also involve singing, vocal imitation of turntablism, the simulation of horns, strings, and other musical instruments.”
--- Wikipedia. Org |
Los Angeles, CA -- Long before (and after) the tired beat machines that used to crank out mechanical, predigested, synthetic, "soulless" percussive rhythms, there was the singular and quintessential “Human Beat Boxer.”
The “Human Beat Boxer” stood before and alongside the MC in the center of the Cypher and mesmerized the faithful with his or her blended virtuoso street performance. Lying within the magical toolbox of the Beat Boxer are an array of personalized and unique mixed bag of clicks, drum sounds, scratches, bass lines beats, trumpets, cymbals, guitar riffs, screams and other indescribable noizes..
The audiences' soulful head-nod is the first affirmation of the death-of-silence which is always the first casualty, whenever "Tha Show" is in effect.
Combining these dynamic throat-based effects is to create a “wall of sound” that pays a distinct & living homage to the sacred “Boom-Bap,” which is the literal heart & soul, and the underbelly of ole' school Hip-Hop.
The job of the Human Beat Boxer is to compose the flawless soundscape “the music"“ with which he and the MC together can rock the mics creating the perfect circle.
GV8 THE FIFTH ELEMENT: THE ART OF THE BEAT BOXER documentary is directed by multi award-winning indie filmmaker Bob Bryan.
Take a glimpse at the art form & peep the process from the humble master Beat Box practitioners. It's their time to shine... |
GV8 THE FIFTH ELEMENT: The Art of the Beat-Boxer
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